But then the film gets right back to the singer’s life offstage, which mostly seems to consist of brooding, drinking, pain and shame. Some of the musical sequences show a little energy, thanks to Hiddleston’s spirited performances and the greatness of the tunes themselves. And then of course, there are the drugs and alcohol, mainly the latter, which lurk around the edges of every scene and eventually take center stage as Williams slowly and predictably self-destructs, canceling shows and especially missing dates at the Grand Old Opry. Olsen, also now a Marvel repertory player like Hiddleston, is game but has to work hard to raise Audrey even a little above a stereotypical nag who wants to share in her husband’s career to the point of singing with him onstage.
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The movie loosely follows the upward trajectory of Williams’ career, starting with his radio show on Montgomery, Alabama radio station WSFA and chronicling the formation of his band, his first hits and his ups-and-downs with Audrey. But he is saddled with a script that is frustratingly sketchy, with the film making large narrative leaps across Williams’ life that often leave the viewer wondering who the hell everyone is and what they are doing hanging around this guy who just seems to treat everyone like shit. It’s not Hiddleston’s fault he gives his all in the role, affecting a decent Southern accent and doing all his own singing. But you might not know it from this movie, in which the cumulative portrait of Williams is that of a jerk. Williams’ effect on the American musical landscape was vast, especially for someone who was only active for roughly 16 years and died at the age of 29. Tom Hiddleston, better known around these parts as the villainous Loki in the Marvel Cinematic Universe, portrays Williams, while Elizabeth Olsen plays his wife, Audrey, with whom he shared a tumultuous eight-year marriage. Writer/director Marc Abraham’s I Saw the Light tells the story of country music legend Hank Williams, whose distinctive vocal twang and simple yet brilliant songwriting made him one of the most popular and influential American musical artists of the 20 th century, with some 35 Top 10 hit songs to his name - among them tracks like “Move It On Over,” “Your Cheatin’ Heart,” “Hey, Good Lookin’” and “I’m So Lonesome I Could Cry” that are permanently woven into the fabric of American life and pop culture.
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